Thomanerchor Leipzig 2017

J. S. Bach - Mass in B Minor, with the Freiburg Baroque Orchestra

"Selig sind die Toten" Heinrich Schütz

“The choir’s trademark sound, bright and clear, is said to stem from its years under Bach's strict but creative leadership.”

The Guardian

St. Thomas Choir, Leipzig

November 14, 2017 | 8 pm

Duke Chapel


Single tickets to Duke Performances 2017/18 shows will go on sale TUESDAY, JULY 11 at 11 AM. $10 Duke student tickets and $20 tickets for patrons ages 30 and under will go on sale TUESDAY, AUGUST 29 at 11 AM. Tickets will be available for purchase online, via phone at 919-684-4444, and in person at the Duke University Box Office, Monday through Friday, 11 AM to 6 PM.

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The Thomanerchor — otherwise known as the St. Thomas Choir of Leipzig, whose most famous cantor was Johann Sebastian Bach — is one of the world’s most enduring musical institutions. Founded in 1212 to provide music for church services, The Thomanerchor hired Bach in 1723; he held the position until his death and is buried at St. Thomas. Bach’s music remains a mainstay of the choir’s repertoire, and its fifty exceptionally talented boy singers, all between the ages of nine and eighteen still perform his works every Sunday. In recent decades the enormous choir has made international touring a central part of its activities, taking the entire ensemble beyond the church walls of Leipzig and out into the world. The New York Times calls the choir’s sound “magnificent, soaring, poignant, ethereal.”

Inside the appropriately gothic setting of Duke Chapel, the Thomanerchor sings sacred works by Germany’s most revered composers. Led by cantor Gotthold Schwarz and organist Stefan Altner, the Choir sings a Psalm setting and a selection of motets by early baroque composer Heinrich Schütz. The choristers turn next to a hymn setting and a sacred madrigal by Schütz’s contemporary and Bach’s predecessor at St. Thomas by a hundred years, Johann Schein. At the center of the concert are three Bach motets: Fürchte dich nicht, Komm, Jesu, komm, and Der Geist hilft unsrer Schwachheit auf, all for double choir. The Thomanerchor also includes several works from the nineteenth century: Felix Mendelssohn’s setting of the Forty-Third Psalm, and two movements from his Deutsche Liturgie: “Kyrie eleison” and “Ehre sei Gott in der Höhe.”

Program

Schütz: The One-Hundredth Psalm, SWV 36

Schein: “Her Gott, du unser Zuflucht bist,” from Cantional oder Gesangbuch Augspurgischer Confession

Schein: “Nu danket alle Gott,” from Israelsbrünnlein

Bach: Fürchte dich nicht, BWV 228

Bach: Komm, Jesu, komm, BWV 229

Mendelssohn: The Forty-Third Psalm

Mendelssohn: “Kyrie eleison” and “Ehre sei Gott in der Höhe” from Die Deutsche Liturgie

Schütz: “Also hat Gott die Welt geliebt,” SWV 380; “Verleih uns Frieden,” SWV 372; and “Gib unsern Fürsten,” SWV 373, from Geistliche Chormusik

Bach: Der Geist hilft unser Schwachheit auf, BWV 226



“Surely this is what it must have been like to hear Bach lead the ensemble in one of his cantatas."

The New York Times

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