Duke Performances
Lonnie Holley 'Sometimes I Wanna Dance'

Music Maker 25
Southern Voices:
Lonnie Holley
& Alexa Rose

Thursday, December 5, 2019 | 8:00 pm

The Fruit


The ‘Music Maker 25’ packagewhich provides access to all seven ‘Music Maker 25’ shows at The Fruit — and single tickets, including $10 Duke student tickets, are now on sale. Packages and single tickets can be purchased online, via phone at 919-684-4444, and in person at the Duke University Box Office, Tuesday through Friday, 11 AM to 6 PM.

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Ninety minutes before each concert, visitors are invited to experience 25 years of Music Maker Relief Foundation history at an extensive exhibition chronicling the organization’s work.

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Thursday evening at Music Maker 25 features individual sets from two distinct Southern voices — multidisciplinary visual artist and improvisational musician Lonnie Holley and Southwest Virginia mountain native and roots musician Alexa Rose. A journeyman and sculptor who recorded his first ever album of music in his sixties, Holley has lived an unparalleled life, one reflected in the captivating fare of 2012’s Just Before Music and last year’s sprawling MITH. Of that latter full-length, The Quietus hailed it as “a record that, far from being cartoonish or hackneyed, feels tangible and rings true.” Rose, compared to the likes of Joni Mitchell and Hurray for the Riff Raff, is developing a sound distinctly her own. Drawing inspiration from her Appalachian heritage, her voice “stands out with depth and complexity, capable of gymnastic yodels and deep resonance” (Cary Magazine).

Music Maker 25 is made possible, in part, with support from the Mary Duke Biddle Foundation and the North Carolina Arts Council, a division of the Department of Natural and Cultural Resources. Music Maker 25 is proud to be a part of Come Hear NC and the Year of Music in North Carolina, as well as the Smithsonian Year of Music.

“...somewhere between the highly personalised social commentary of Gil Scott Heron, the revelatory folk-soul bliss of Terry Callier and the experimental deep-space blues of Sun Ra”

The Guardian (on Lonnie Holley)

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