Piotr Anderszewski, Piano
Saturday, April 6, 2019 | 8:00 pm
Duke Performances’ 2018/19 Classical Series subscriptions — including the Chamber Arts Series, Piano Recital Series, and Vocal Ensemble Series — are now on sale, including renewals and new subscriptions. The renewal deadline for current subscribers is FRIDAY, JUNE 1. Renewals and new subscriptions can be purchased online, via phone at 919-684-4444, and in person at the Duke University Box Office, Monday through Friday, 11 AM to 6 PM.
Single tickets to Duke Performances’ 2018/19 shows will go on sale TUESDAY, JUNE 19 at 11 AM. Tickets will be available for purchase online, via phone, and in person.
In 1990, during the semi-finals of the Leeds International Piano Competition, pianist Piotr Anderszewski abruptly walked off the stage. Though he had been a favorite to win, he was dissatisfied with his sound that day and decided to disqualify himself. This uncompromising choice catapulted his career, staking his spot as one of the world’s most intriguing new pianists. He has since won the rare Gilmore Artist Award and a Royal Philharmonic Music Award. He has pursued a deliberately limited repertoire, working and reworking pieces until they approach perfection.
Bach and Beethoven are Anderszewski’s touchstones. In Durham, he begins with selections from The Well-Tempered Clavier, Bach’s consummate set of keyboard preludes and fugues. Anderszewski ends the night with what may be his greatest obsession, Beethoven’s Diabelli Variations, an endlessly dynamic exploration of an 1819 waltz by Anton Diabelli. Anderszewski played the Diabelli on that fateful day in Leeds and kept with it, endlessly honing his interpretation. His vivid reading of Diabelli is spellbinding, delivered with technical dexterity and deep emotional understanding.
Bach: Selected Preludes and Fugues from The Well-Tempered Clavier, Book II
Beethoven: Thirty-Three Variations on a Waltz by Diabelli, op. 120 (“Diabelli” Variations)