American Music No. 1
Thursday, December 7, 2017 | 8:00 pm
In just a decade, the JACK Quartet has become one of the most enterprising and energized new music powerhouses in the world. The quartet was formed at the Eastman School of Music in order to pursue an expanded classical repertoire, both by performing works from pivotal twentieth-century composers in sharply designed programs and by collaborating with essential living composers. Having won Lincoln Center’s Martin E. Segal Award in 2014 and worked with a veritable Who’s Who of modern composers, the ensemble is, as The New York Times has proclaimed, “a vital force in the new music world.”
The JACK begins its two-year residency at Duke with the first of two 2017/18 concerts that highlight American music for string quartet. The concert opens with Ruth Crawford Seeger’s ecstatic antiphonal String Quartet, followed Marcos Balter’s gripping, suspenseful Chambers and Amy Williams’ Richter Textures, based on the paintings of German artist Gerhard Richter. Natacha Diels’ wildly ricocheting Nightmare for JACK (a ballet) begins the second half, leading to the night’s climax, John Zorn’s arresting Necronomicon.
Ruth Crawford Seeger: String Quartet
Marcos Balter: Chambers
Amy Williams: Richter Textures
Natacha Diels: Nightmare for JACK (a ballet)
John Zorn: Necronomicon
JACK Quartet 'Adams: Shaker Loops'
JACK Quartet 'Shaw: Ritornello'
JACK Quartet 'Tetras' (1983)
JACK Quartet 'Riding the Purple Twilight: Allegro Dangeroso'
JACK Quartet 'String Quartet No. 2: Come un meccanismo di precisione'
“The JACK Quartet, in terrific performances, proved that the quaint old string quartet, stretched to its limits, remains vital and entertaining.”