Emanuel Ax 'Brahms Piano Concerto No 2 in B flat major, Op 83'

Emanuel Ax 'Mozart's Piano Concerto No. 14'

Emanuel Ax 'Chopin'

Emanuel Ax, Piano

Saturday, October 20, 2018 | 8:00 pm

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Piano Recital Series

Baldwin Auditorium


Duke Performances’ 2018/19 Classical Series subscriptions — including the Chamber Arts Series, Piano Recital Series, and Vocal Ensemble Series — are now on sale, including renewals and new subscriptions. Renewals and new subscriptions can be purchased online, via phone at 919-684-4444, and in person at the Duke University Box Office, Monday through Friday, 11 AM to 6 PM.

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Seven GRAMMY Awards, the Avery Fisher Prize, top honors at the inaugural Arthur Rubinstein Competition, the Echo Klassik Award, Yale’s Sanford Medal for distinguished musicianship: Emanuel Ax has amassed a lifetime of accolades. A regular soloist with the New York Philharmonic and Berlin Philharmonic, Ax also serves on the faculty of Juilliard and is the main duo partner of cellist Yo-Yo Ma, all while playing nearly a hundred of his own concerts every year — performances that are “never less than spellbinding,” according to The New York Times.

Returning to Durham for the first time since 2014, Ax’s grace and peerless technique shine in Brahms’ Rhapsodies, op. 79. He moves through George Benjamin’s minimalist Piano Figures and Schumann’s brief but buoyant Fantasiestücke before playing the Valses nobles et sentimentales, a set of fiery waltzes by Ravel. Ax completes the program with three works by Chopin: the Nocturne in B Major, op. 62, no.1; three lively mazurkas, op. 50; and the Andante spianato et grande polonaise brillante.

Program

Brahms: Rhapsodies, op. 79

George Benjamin: Piano Figures

Schumann: Fantasiestücke, op. 12

Ravel: Valses nobles et sentimentales

Chopin: Nocturne in B Major, op. 62, no. 1

Chopin: Three Mazurkas, op. 50

Chopin: Andante spianato et grande polonaise brillante, op. 22



“Ax is an extremely satisfying pianist; he is at home in a wide variety of music and his pianism is always thoughtful, lyrical, lustrous.”

The Washington Post

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