Elias String Quartet
Saturday, March 23, 2019 | 8:00 pm
Duke Performances’ 2018/19 Classical Series subscriptions — including the Chamber Arts Series, Piano Recital Series, and Vocal Ensemble Series — are now on sale, including renewals and new subscriptions. The renewal deadline for current subscribers is FRIDAY, JUNE 1. Renewals and new subscriptions can be purchased online, via phone at 919-684-4444, and in person at the Duke University Box Office, Monday through Friday, 11 AM to 6 PM.
Single tickets to Duke Performances’ 2018/19 shows will go on sale TUESDAY, JUNE 19 at 11 AM. Tickets will be available for purchase online, via phone, and in person.
The Elias String Quartet seems to live inside the pieces it plays. The ensemble conveys both emotional and structural sophistication with astounding clarity. Formed at Manchester’s Royal Northern College of Music a quarter-century ago, the Elias is both a definitive interpreter of standard repertoire, having recorded Beethoven’s entire output for quartet, and a passionate champion of the world’s best living composers. Heralded for its “bold, rich tone and deeply-felt interpretation” by The New York Times, it ranks among the most venerated quartets of its generation.
For its second Duke appearance, the Elias couples two classics with a new work written just for them. The concert begins with Mozart’s sumptuous Quartet No. 15 in D Minor. A work of immersive contrasts, reportedly written during the birth of his first child, it is the second of Mozart’s quartets dedicated to Haydn. The concert concludes with Schumann’s emotionally charged Quartet in A Minor. The last of a triptych of quartets he wrote in 1842, it is elegantly doleful — almost a lament. Between the Mozart and the Schumann, the Elias play a new work commissioned from the engaging British composer Sally Beamish as a companion piece for the Schumann.
Mozart: String Quartet No. 15 in D Minor, K. 421
Sally Beamish: New commission, title to be announced
Schumann: String Quartet in A Minor, op. 41, no. 1
“The subtlety and affection of the group’s playing is coupled to rhythmic drive and a questing collective imagination.”