Daniil Trifonov, Piano
Tuesday, February 5, 2019 | 8:00 pm
Duke Performances’ 2018/19 Classical Series subscriptions — including the Chamber Arts Series, Piano Recital Series, and Vocal Ensemble Series — are now on sale, including renewals and new subscriptions. Renewals and new subscriptions can be purchased online, via phone at 919-684-4444, and in person at the Duke University Box Office, Monday through Friday, 11 AM to 6 PM.
$10 Duke student tickets will go on sale TUESDAY, AUGUST 28. Tickets will be available for purchase online, via phone, and in person.
Called “without question the most astounding pianist of our age” by The Times of London, the twenty-seven-year-old Daniil Trifonov has become the instrument’s new standard-bearer. After he won first prize at the Arthur Rubinstein Competition in Tel Aviv, his album Transcendental won the GRAMMY for the Best Classical Instrumental Solo. This new superstar has captivated audiences from Berlin to Budapest, and his work is currently the focus of the seven-concert Perspectives series at Carnegie Hall. Trifonov pairs razor-sharp precision with tenderness; “he makes the piano sing, whisper, and melt” (The Guardian).
Making his Durham debut, Trifonov begins with two sprightly pieces from Beethoven, Andante Favori and Sonata No.18, both from the master’s middle period. Schumann’s Bunte Blätter assembles material from earlier unpublished pieces, while his Presto Passionato is the original finale to his G Minor Sonata; together, these works give Trifonov ample opportunity to dazzle. He ends the night with Prokofiev’s Sonata No. 8, an intoxicating dance with moments of extended melancholy and wild exuberance, culminating in a brilliant finale that showcases Trifonov’s stylistic range and trademark exultancy.
Beethoven: Andante in F Major, WoO 57 (“Andante favori”)
Beethoven: Piano Sonata No. 18 in E-flat Major, op. 31, no. 3
Schumann: Bunte Blätter, op. 99
Schumann: Presto passionato, op. 22
Prokofiev: Piano Sonata No. 8 in B-flat Major
“What sets Trifonov apart is a pair of attributes that are seldom found in one pianist: monstrous technique and lustrous tone.”