Camille A. Brown & Dancers
Mr. TOL E. RAncE
Friday, March 1, 2019 | 8:00 pm
Saturday, March 2, 2019 | 8:00 pm
The Camille A. Brown Trilogy Package, which provides best available reserved seats in Reynolds Industries Theater to Camille A. Brown & Dancers’ trilogy, including presentations of ink, BLACK GIRL: Linguistic Play, and Mr. TOL E. RAncE, is now on sale. Packages are available for purchase online, via phone at 919-684-4444, and in person at the Duke University Box Office, Monday through Friday, 11 AM to 6PM.
$10 Duke student tickets will go on sale TUESDAY, AUGUST 28. Tickets will be available for purchase online, via phone, and in person.
It took Camille A. Brown two years of research to create Mr. TOL E. RAncE, a dynamic work that looks critically and candidly at the enduring legacy of white supremacy in American pop culture. Brown uses dance, theater, comedy, video, and animation to explore black entertainers’ tenacity in the face of reductive stereotypes, and the larger theme of humor as a survival tactic in a white supremacist world. Intertwining the exaggerated movements of minstrelsy along with African dance, Lindy hop, ballet, tap, and hip-hop, Brown and six other dancers create lucid portraits that express both hardship and showmanship. Pianist Scott Patterson plays a stirring score in real time. The result, which won a Bessie Award in 2014, is a fearless, unflinching examination of the endless hurdles black artists have long encountered, a poignant mix of the pain of oppression and the joy of inventiveness.
“Dramatically brilliant, physically exhilarating,” raves The New York Times. Duke Performances Artist-in-Residence Camille A. Brown “is clearly a force of nature.” This visionary choreographer has created an essential trilogy of works that redefine black identity within the evolving cultural landscape of this country: Mr. TOL E. RAncE, BLACK GIRL: Linguistic Play, and ink. Her series of three one-week residencies at Duke Performances, with her company, Camille A. Brown & Dancers, marks the first time a single presenter has staged this trilogy in its entirety. Separately, the shows function as breathtaking stand-alone pieces; together, they form a striking commentary on perceptions of black identity. A courageous, unified epic expressed through visceral movement and unforgettable storytelling, her trilogy — presented here in reverse order — is at the vanguard of American dance.
“Brown’s seven dancers… can make you believe that whole weather systems are coursing through their bodies… the movement passages are extraordinary.”