Beatrice Rana 'Igor Stravinsky / Guido Agosti: The Firebird Suite'

Beatrice Rana 'Bach: The Goldberg Variations (Aria)'

Beatrice Rana 'Schumann/Liszt: Widmung (Liebeslied) S. 566'

Beatrice Rana, Piano

Friday, February 22, 2019 | 8:00 pm

RETURNING PIANO RECITAL SERIES SUBSCRIBER

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Piano Recital Series

Baldwin Auditorium


Duke Performances’ 2018/19 Classical Series subscriptions — including the Chamber Arts Series, Piano Recital Series, and Vocal Ensemble Series — are now on sale, including renewals and new subscriptions. Renewals and new subscriptions can be purchased online, via phone at 919-684-4444, and in person at the Duke University Box Office, Monday through Friday, 11 AM to 6 PM.

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Beatrice Rana played her first scales when she was only six months old, seated on her mother’s lap at the piano in a tiny Italian town. The daughter of two esteemed pianists, Rana recalls hearing her parents play Prokofiev and Rachmaninov while she was still in the womb. By nine, she had made her orchestral debut. By twenty, she had claimed the silver medal and the Audience Award in the Van Cliburn Piano Competition, leading to a chart-topping rendition of the Goldberg Variations and a 2017 win as the BBC Music Magazine’s Newcomer of the Year. “Her tone is commanding,” The Los Angeles Times declared. “Her only showiness is in showing how the music works.”

Playing for the first time in North Carolina, Rana begins with Chopin’s charming and often-playful second set of Etudes, op. 25, a perfect showcase for Rana’s range. Likewise, Ravel’s Miroirs — written early in his career, as an enthusiastic appreciation of his fellow avant-garde artists — incorporates sweeping arpeggios, exquisite harmonies, and ecstatic Spanish dances. Rana ends the night with Guido Agosti’s electrifying arrangement of Stravinsky’s Firebird, a celebrated work that never loses its thrilling power.

Program

Chopin: Études, op. 25

Ravel: Miroirs

Stravinsky: The Firebird (arr. Agosti)



“Playing of preternatural sensitivity, sophistication, and control, along with a touch of magic."

The New York Times

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