Duke Performances is now Duke Arts presents. Learn more.

Duke Arts Presents

In the Jazz Tradition: Cécile McLorin Salvant with Sullivan Fortner

Tuesday, December 4, 2018 | 7:00 pm

Tuesday, December 4, 2018 | 9:00 pm

The Fruit


The ‘In the Jazz Tradition’ Package, which provides access to all 14 ‘In the Jazz Tradition’ sets at Durham Fruit & Produce, including performances by Nnenna Freelon, Cécile McLorin Salvant, Nellie McKay, Catherine Russell, Jazzmeia Horn, René Marie, and Kate McGarry, is now on sale. Packages are available for purchase online, via phone at 919-684-4444, and in person at the Duke University Box Office, Monday through Friday, 11 AM to 6 PM.

###

Cécile McLorin Salvant is a stunning singer with a peerless style and a knack for finding obscure jazz and blues songs and giving them new life. In just five years, Salvant has gone from an unknown upstart to the brightest new star in the jazz firmament, winning Best Jazz Vocal GRAMMYs for consecutive albums and resurrecting popular interest in the form. With an extraordinary range bolstered by rock-solid classical technique, she sings with her whole body, using physical movement to create new possibilities of timbre and tone. Wynton Marsalis did not mince words when he told The New Yorker just how important Salvant is to the future of jazz: “You get a singer like this once in a generation or two.” And though she sings with total command, Salvant’s concerts tend to be playful and disarming, a quality that has helped make her previous two sold-out appearances at Baldwin Auditorium feel intimate: she has the great singer’s gift of making you feel she is singing for you alone. At Durham Fruit & Produce, in one of the smallest rooms she will play all year, Salvant is joined by Sullivan Fortner, one of jazz’s most dynamic young pianists.



Cécile McLorin Salvant 'You're My Thrill'

Cécile McLorin Salvant 'I Wish I Could Shimmy Like My Sister Kate'

Cécile McLorin Salvant & Sullivan Fortner 'You've Got to Give Me Some'


“She sang with perfect intonation, elastic rhythm, an operatic range from thick lows to silky highs.”

The New Yorker